We shot a bunch of video and photos during the process of making this all analog record. It was 4 years in the making all and all. I’ve been editing a short documentary about the process of making Dream Analog.
Recording Analog is quite different from the process of digital recording. I think it’s important to preserve analog recording processes for future generations. I hope more musicians will get to hear their music recorded analog and realize the “extra” benefits of recording this way.
Editing this is a high jump for me (to say the least) but I’m slowly putting it together. It will be released later this year.
Wishing you all the best in these strange and revealing times. Take good care of yourself. Lift yourself up through the chaos to a better perspective, a happier, more at peace state of being. That’s where you belong.
If you’ve ever listened to an analog vinyl record, you know there is something special in the sound
— there’s a warm resonance that can’t be denied.
Sine waves are good for music.
Dream Analog was recorded to tape and then digitized for you to stream it here and on CD. The 180 vinyl was mastered by Bernie Grundman.
I was on the Mystic Pete Chronicles, this week.
It was a fun time in conversation with Mystic Pete about the new album Dream Analog and the times we’re in.
Happy to announce we just released Dream Analog,
a true analog album!
This album is a collection of songs about waking up to yourself and what happens after you step into a new series of perceptions that change your life forever. Many of us have been realizing for sometime that the mundane physical reality is not all there is. There is much much more to the picture here on Earth. There are multi-dimensional aspects to life that can’t always be put into words. I hope that these songs will assist you on your own path of self discovery through these very strange times.
There is a certain essence that is retained in recording analog (to tape). It feels and sounds more earthy to me, more holistic. Even the digital files that were created after the music was mixed on analog equipment still sound better to me than if the music was initially recorded digitally. There’s just more there.
I hope you will get a chance to hear the record and feel it.
Analog recording allows the feeling in the music to be more completely delivered. WHY?
The recording process is completely different. In Analog recording (to tape) the whole sine wave is recorded.
In digital recording there are samples taken that are then strung together creating square waves. So you’re looking at a difference in the wave form that is created… Sine wave or Square wave.
Analog recording reflects natural harmonic overtones and a warm tonal resonance because it is recording the whole wave form. Digital recordings create square waves instead of sine waves leaving out dimensions you might want to feel and know about. Even if later converted to digital, music initially recorded to tape (analog) fundamentally has more feeling to draw from for the mp3 or wave file.
SO WHY DOES THIS MATTER?
Sound effects us in many ways consciously and unconsciously. It may effect the construct of reality more than we can imagine because we’re in it and can’t really get an outside view. Listen to some music that was recorded analog. Such as any album from the 70’s before DATs (digital audio tape) or look for new music out now that specifically says recorded to tape (analog) or AAA on the sleeve (which means it was A=Recorded analog, A=Mixed Analog and A= Mastered analog). See how it makes you feel? That’s the most important thing.
Human beings respond to analog recordings. Music recorded that way informs us in very specific ways. You’re human (I assume) — go listen to some music that was recorded analog and feel for yourself. You may find you access dimensions in the music that you have not felt before.
There are listening rooms popping up in Los Angeles and other places. They have a lot of these in Japan. These are bars/places you can go to listen to vinyl records. Some of them were probably recorded analog. Go listen and see how you feel.
Recorded, mixed and mastered analog. Mastered for vinyl by Bernie Grundman.
CD Mastered by Brian David Hardin.
Long Live Analog!
© Teri Hitt
180 Gram Vinyl
—As luck would have it we found a time machine and over the next year created an Analog Recording Studio in our home. All my previous albums were recorded digitally.When I finally heard my voice played back on tape for the first time, I got tears in my eyes. It was significantly better. I had never heard my voice recorded in a way that could reflect it back so thoroughly. Until then I didn’t know what was missing in the sound. I knew I was on the right track.
Recorded Analog + Mixed Analog + Mastered Analog for 180 Gram Vinyl
Analog recording allows the messages in the songs to be more completely and clearly delivered. It has natural harmonic overtones and a warm tonal resonance. This resonance is missing in digital recordings as the recording process is to take samples and string them together. The space in-between the samples is missing. This creates square waves instead of sine waves leaving out dimensions you might want to feel and know about.
Over the next two years we carefully recorded these beautiful songs to analog tape.
The final lead vocals, acoustic guitar, bass, and drums were recorded live on a 1″ 16 track tape machine using tube and solid state gear. As we recorded live we were able to deeply connect as we played and magic happened. We later added overdubs of keyboard, horns, percussion, and background vocals.
This album is recorded at A=432 Hz tuning instead of the “standard” A=440 Hz. 432 Hz tuning is known as Pythagorean tuning. It is based on perfect 5th ratios. This tuning is in harmony with Nature. To me it feels better.
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Teri Hitt – vocals, acoustic guitar
June Kato – bass
James Whelan – hammond, piano, rhodes
Brian David Hardin – drums, percussion, cloud sounds
Rebecca Stout – background vocals
James – background vocals
+ Mike Cordone and Jesse McGinty – horns, sax, flute
• Matt Crocco – additional piano
** Paula Montondo – additional drums on Whatcha Gonna Do?
1 It’s Coming On 2:23
2 Go Ahead and Shine 2:57
3 In The Center 4:12
4 Song of the Satellite+ 2:56
5 Whatcha Gonna Do?** 3:06
6 The Long Road+ 3:06
1 Who U R 3:11
2 Nothing To Break That Fall+• 2:46
3 Something New Can Grow 3:36
4 Real Clouds 2:44
5 Sunny Side of the Road 3:50
6 Keep it Together+ 3:23
7 Mother Earth 2:39
Produced, Engineered and Mixed by Brian David Hardin.
Recorded at Thunderbird Studios in Culver City.
Mixed on a SSL console down to 1/2” tape at Laughing Tiger Studio in San Rafael, CA.
Mastered by Bernie Grundman and Joe Bozzi in Hollywood, CA.
All songs ©2020 Teri Hitt except **©Teri Hitt, June Kato, and Paula Montondo. All Rights Reserved. Chaldea Music [ASCAP]
Made with LOVE in the USA.
Photos: Brian David Hardin | Art/Design: Teri Hitt
Cover photo is the General Sherman Tree in Sequoias, CA.
(*Psst…She changed her name to Mother Tree)
Available on HQ-180 gram Vinyl, CD and Cassette April 2020.
Singles out now on Spotify.