I was on the Mystic Pete Chronicles, this week.
It was a fun time in conversation with Mystic Pete about the new album Dream Analog and the times we’re in.
Happy to announce we just released Dream Analog,
a true analog album!
This album is a collection of songs about waking up to yourself and what happens after you step into a new series of perceptions that change your life forever. Many of us have been realizing for sometime that the mundane physical reality is not all there is. There is much much more to the picture here on Earth. There are multi-dimensional aspects to life that can’t always be put into words. I hope that these songs will assist you on your own path of self discovery through these very strange times.
There is a certain essence that is retained in recording analog (to tape). It feels and sounds more earthy to me, more holistic. Even the digital files that were created after the music was mixed on analog equipment still sound better to me than if the music was initially recorded digitally. There’s just more there.
I hope you will get a chance to hear the record and feel it.
Analog recording allows the feeling in the music to be more completely delivered. WHY?
The recording process is completely different. In Analog recording (to tape) the whole sine wave is recorded.
In digital recording there are samples taken that are then strung together creating square waves. So you’re looking at a difference in the wave form that is created… Sine wave or Square wave.
Analog recording reflects natural harmonic overtones and a warm tonal resonance because it is recording the whole wave form. Digital recordings create square waves instead of sine waves leaving out dimensions you might want to feel and know about. Even if later converted to digital, music initially recorded to tape (analog) fundamentally has more feeling to draw from for the mp3 or wave file.
SO WHY DOES THIS MATTER?
Sound effects us in many ways consciously and unconsciously. It may effect the construct of reality more than we can imagine because we’re in it and can’t really get an outside view. Listen to some music that was recorded analog. Such as any album from the 70’s before DATs (digital audio tape) or look for new music out now that specifically says recorded to tape (analog) or AAA on the sleeve (which means it was A=Recorded analog, A=Mixed Analog and A= Mastered analog). See how it makes you feel? That’s the most important thing.
Human beings respond to analog recordings. Music recorded that way informs us in very specific ways. You’re human (I assume) — go listen to some music that was recorded analog and feel for yourself. You may find you access dimensions in the music that you have not felt before.
There are listening rooms popping up in Los Angeles and other places. They have a lot of these in Japan. These are bars/places you can go to listen to vinyl records. Some of them were probably recorded analog. Go listen and see how you feel.
Recorded, mixed and mastered analog. Mastered for vinyl by Bernie Grundman.
CD Mastered by Brian David Hardin.
Long Live Analog!
© Teri Hitt
180 Gram Vinyl
—As luck would have it we found a time machine and over the next year created an Analog Recording Studio in our home. All my previous albums were recorded digitally.When I finally heard my voice played back on tape for the first time, I got tears in my eyes. It was significantly better. I had never heard my voice recorded in a way that could reflect it back so thoroughly. Until then I didn’t know what was missing in the sound. I knew I was on the right track.
Recorded Analog + Mixed Analog + Mastered Analog for 180 Gram Vinyl
Analog recording allows the messages in the songs to be more completely and clearly delivered. It has natural harmonic overtones and a warm tonal resonance. This resonance is missing in digital recordings as the recording process is to take samples and string them together. The space in-between the samples is missing. This creates square waves instead of sine waves leaving out dimensions you might want to feel and know about.
Over the next two years we carefully recorded these beautiful songs to analog tape.
The final lead vocals, acoustic guitar, bass, and drums were recorded live on a 1″ 16 track tape machine using tube and solid state gear. As we recorded live we were able to deeply connect as we played and magic happened. We later added overdubs of keyboard, horns, percussion, and background vocals.
This album is recorded at A=432 Hz tuning instead of the “standard” A=440 Hz. 432 Hz tuning is known as Pythagorean tuning. It is based on perfect 5th ratios. This tuning is in harmony with Nature. To me it feels better.
*Subscribe to the site and get notified when the Album, CD and Cassette are available for sale. Subscribers will receive a Pre-Release mp3 off the album in December 2019!
Teri Hitt – vocals, acoustic guitar
June Kato – bass
James Whelan – hammond, piano, rhodes
Brian David Hardin – drums, percussion, cloud sounds
Rebecca Stout – background vocals
James – background vocals
+ Mike Cordone and Jesse McGinty – horns, sax, flute
• Matt Crocco – additional piano
** Paula Montondo – additional drums on Whatcha Gonna Do?
1 It’s Coming On 2:23
2 Go Ahead and Shine 2:57
3 In The Center 4:12
4 Song of the Satellite+ 2:56
5 Whatcha Gonna Do?** 3:06
6 The Long Road+ 3:06
1 Who U R 3:11
2 Nothing To Break That Fall+• 2:46
3 Something New Can Grow 3:36
4 Real Clouds 2:44
5 Sunny Side of the Road 3:50
6 Keep it Together+ 3:23
7 Mother Earth 2:39
Produced, Engineered and Mixed by Brian David Hardin.
Recorded at Thunderbird Studios in Culver City.
Mixed on a SSL console down to 1/2” tape at Laughing Tiger Studio in San Rafael, CA.
Mastered by Bernie Grundman and Joe Bozzi in Hollywood, CA.
All songs ©2020 Teri Hitt except **©Teri Hitt, June Kato, and Paula Montondo. All Rights Reserved. Chaldea Music [ASCAP]
Made with LOVE in the USA.
Photos: Brian David Hardin | Art/Design: Teri Hitt
Cover photo is the General Sherman Tree in Sequoias, CA.
(*Psst…She changed her name to Mother Tree)
Available on HQ-180 gram Vinyl, CD and Cassette April 2020.
Singles out now on Spotify.
Session with Bernie Grundman —
mastering Dream Analog for vinyl.
What a thrill to sit and watch the magician do his work. I had never seen the mastering process before and was it an education! Bernie Grundman is an innovative, mastering legend. He added the final touch and that extra sparkle to many of the albums I cherished growing up. It was a true honor to have him care for our music and usher it through the mastering process for vinyl. If you don’t know who he is — check out this list of albums that he’s been involved in.
“Sound does matter” was proven further as I listened to Bernie talk about the power of analog sound. Of course I could not agree more! Much of what I intuited about sound, and why I decided to record all analog, was proven and reflected back to me by him.
Most of the equipment is custom designed to enhance the depth of sound and the listening experience.
To me there is more presence in analog recordings despite any downsides there might appear to be. It’s more holistic to my ears. There’s a lot to SOUND. I don’t think sampling the sound is as good as the whole enchilada. I’m just sayin.
You don’t get what’s referred to as listener fatigue from analog recordings. George Martin, producer for the Beatles, spoke about that in an interview where he said that he could not listen to a CD for very long. Digital recordings can cause Listener Fatigue. Maybe it’s because the in-between sounds are not recorded. A sample is never as good as the original. Again, just sayin!
In the mastering studio in Hollywood, we sat at a console facing a wall of speakers. You can’t see the speakers, it just looks like a wall. It was kind of like going to see the wizard of oz, but in this case… a real wizard.
Dream Analog on vinyl
April 18, 2020.
Recorded, Mixed, Mastered = ALL ANALOG
* Dream Analog will be available on 180g Vinyl, CDs, and as downloads.
“Making of Dream Analog” video in the works!
Wewh! After 3 years of work, we are nearing the end of the recording part of creating the album, Dream Analog.
This week we record background vocals and horns and then off to Northern California to mix in a real cool studio called Laughing Tiger. Brian (producer) will be rolling up his sleeves and mixing old school in a great studio set up specifically for mixing analog. We will be creating real vinyl records, CDs and cassettes from these recordings.
Thanks for all the support we have received and encouragement to record analog. It is a great sound. So much more organic information is accessed via the analog process!
Here’s some recent photos taken while recording the last couple songs with June Kato, Jim Whelan and Brian D. Hardin. Guest drummer, Paula Montondo, played drums on a new one just added to the album, Whatcha Gonna Do.